Hi, Patrick here. The frequent flying back and forth between New York and Los Angeles has its perks and its pitfalls, but I know I’m super lucky to have two amazing crew families between these two fine cities. Jessica (bicoastal producer) and I really love so much about each coast, and I think being bicoastal helps our work continue to improve in interesting ways. So here’s our LA family doing what we do best- making moving pictures!
Category Archives: Filmmaking
Agency Spotter has picked us as the #2 video production agency in the USA in their Top 20 Video Production Agencies 2018 edition list. Yippee! Check out their list here.
We had a lot of fun filming in New York and New Jersey for NPD’s new brand video production. Here’s the photographic proof, shot by Jason Smith:
I love that talented, smart, hard-working people want to work with our production studio. Every day we get resumes and inquiries from at least half a dozen people who’d possibly make great co-conspirators in our company.
And that’s a problem. Meaning, we are a boutique video company. We don’t have an HR staff: the partners are our HR staff. And there’s not enough time in the day to watch every reel and to personally respond to everyone. Not even close.
This is a part of our business that, frankly, we’re still figuring out. So it’s not rudeness if we don’t get back to you. And it has nothing to do with your worthiness or talent. Mostly, it’s that we’re not looking to fill a position that you’d be right for at this time.
And yet, I don’t want to discourage someone from sending us their stuff. Because once in a while, someone has perfect timing and their work comes across our desks just when we’re saying something like “wow, we could really use a great motion graphics designer”, or “I wish we had a junior director/dp in xxx city”. Or whatever.
We keep your stuff when you send it to us. We have files. We tag your emails and your reels so we can pull you up when needed. It’s just, we might not respond directly to you until we do have an immediate need.
We’ll keep working on our hiring process as our company grows. I just want those who share their creativity with us to know that I do appreciate it, and you. Thank you.
I’m especially happy that one of the final film festivals for “A New York Love Story” is to be the New Filmmakers LA festival in October. We started our festival run with a screening at the New Filmmakers New York festival, which gives it a nice symmetry. But also, NFLA has a reputation for being a solid festival where indie films can get the exposure they deserve. And I’ll be interviewed by MovieMaker magazine at the festival, and we’ll get a real Q&A session. That’s pretty cool.
The other big news is, thanks to this festival we’ve been invited to license our film to TV Network ShortsHD.
Not bad for a little film we shot in two days with the tiniest of crew and equipment (we had one light!).
I’d like to thank Joanne for trusting me and being a heck of a collaborator. Sean for the same. And my talented but tiny crew Chad, Jason, and Lani, plus our day players Pat and Marilia. And our post team of Kathi, Martin, Moritz, and Brandon.
I’ve been working on a nice side project lately, producing a Danny Trejo thing. But you’re probably reading this and really wondering: “Is Danny Trejo as cool as he seems?”. So to cut to the chase: yeah, he really is! Plus, he is one heck of a good guy. I’m glad we got to hang out, and I hope you all go down to Trejo’s Tacos and Trejo’s Donuts. You can’t miss the latter- it’s a pink building with a familiar face on the wall. And after you do that, head on over to my company site to check out the other (mostly more commercial-y) work we’ve been doing this summer!
This one’s for my fellow video production nerds.
Smart people realize that cameras have been solved. This might be why RED’s new product is a phone. Not a camera. Cameras are done. They’re great. Today. And semi-affordable. The huge gap between “great” and what the average DP can afford is pretty much gone, and if you’re still selling yourself based on your camera instead of your work, you are way behind the times.
Put simply, the most important thing is your talent in using the gear. The gear alone doesn’t differentiate you, anymore. Pros can Continue reading
I keep relearning the lesson of how important it is for us creatives to always be working on personal projects. First, they’re fun to do! Second, they let you hone new skills. And third, sometimes they show clients a side of you that they didn’t know about. This can pay huge dividends.
For instance, about a year and a half ago I was in New York more than I wasn’t. I live and work in both LA and New York, and I’m not sure why LA wasn’t clicking for me at that time, but I was grateful that New York was. New York was keeping Continue reading
Here’s some behind-the-scenes photos of our 2017 Sundance PSA! Photos by Suzan Jones.