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HeadHunting, Inc.

HHSmallerThis is a 13 minute comedy short film that I made last year, and which has played at film festivals and is now available via Cinequest’s online service. It was shot by Stacy Steinkuller, written by Rick Bourn and myself, and I edited, did the visual effects, ran the steadicam, and directed the movie.

We shot it with a Sony Z1, and this was the first movie I worked on using Shake for visual effects. I also used After Effects, Lightwave, and a bunch of plugins.

Check it out


New Deliverance Pizza Mobisode: Urine, First!

Episode 5: Drug Testing comes to Deliverance Pizza. Check it out on YouTube or view the high quality QuickTime version.

Written, Directed and Edited by Patrick Ortman
Director of Photography Stacy Steinkuller
Starring Bryce Raney, Ben Blair, Bob Bielecki, and Carol Goans
Featuring Matt Thornton and Sara Cravens

This is my latest mobisode (mobile device sitcom episode), and it is #5 in a continuing series about the Pizza Dude. You can find out more about Deliverance By The Slice at You can also find episodes on BlipTV, YouTube, and Google Video.

We shot these episodes with a Sony Z1 HDV camera, and original artwork is by Rudi Liden.


Apple Shake Work: Pain Awareness PSA with Academy Award Winner Laszlo Kovacs

pain2I was asked to do the post production work on a PSA directed by Melissa Balin, edited by my pal Brandon Balin of the Brookturn Company and shot by oscar winning DP Laszlo Kovacs. Sure, Laszlo’s won academy awards… but what I love him for is his work on the John Cusack movie “Say Anything” back in the 1980s. Sorry, Laszlo.

The Brookturn Company needed my help because they shot this PSA with the Canon H1 in 24F mode. The problem is no editing system supports this format (until 2 weeks from now when the new Final Cut Pro comes out). This PSA had to be shown at IBC in Amsterdam at the Canon booth and is also being shown at a big european conference on pain management next week.

Brandon and I realized that while no editing system supported this new format yet, we could output the raw HD signal in interlaced, 60i format. We ingested the footage via a Kona 3 and I then took this raw footage into Shake, where I applied pulldown and smart deinterlacing to get those original 24 frames a second back into Brandon’s timeline in FCP.

It worked like a charm, and everybody’s thrilled. Check it out in QuickTime format.

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