Patrick Ortman, Inc.

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On Being Afraid

Written By: Patrick on March 23rd, 2008

Fear leads to anger. Anger leads to hate. Hate leads to suffering – Yoda

I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear… And when it is gone past I will turn the inner eye to see its path. Where the fear is gone there will be nothing. Only I will remain. – Frank Herbert, Dune

Al-Qaeda’s entire existence is based on fear. So are some of the actions of our own government. It’s easy to be afraid in a world where airplanes crash into buildings, stock and housing markets crash and burn, torture is allowed, and bombs fall on people. I don’t think too many people would try to dispute that the overall amount of fear in our world has increased in the past decade. And it’s certainly not limited to “Big Fear”, the kind perpetuated by terrorists and governments. On a personal level, it’s incredibly easy to act like a virus- replicating and spreading fear throughout our environment. It’s an ever-escalating cycle, and it affects every aspect of our lives.

I’ve dealt with a work situation that was fear-driven recently. The client felt that their previous agency had treated them terribly, so they approached every aspect of our interaction as if we were trying to take advantage of them. Being of a good nature (usually at least), I decided we should press on with the client and prove to them that we’re on their side by delivering incredible value and top-notch work, even allowing the client to add in features that were beyond the scope of their projects for free.

This didn’t work out very well. As often happens, the formerly abused became the abuser. No matter how low we cut our prices and how great our work was, this client was unable and unwilling to let go of their preconceived notion that they’d been taken advantage of, and their fear of a repeat situation permeated every aspect of our interaction. Things got so paranoid with this client that they accused us of working for the competition, and demanded that we don’t show our work off to others.

Finally, of course, we had to part ways. It’s a shame, because some of the work we’ve already completed for them is truly amazing stuff. I think that’s part of why we held on to them for as long as we did. We all like to show off our best work. Artists like the world to see their work, that’s our nature. But this client’s fear had completely overshadowed everything else in their lives. And the state of their organization reflects that fear.

I don’t want to become like them. I don’t want to shut good things out of my life because I am afraid. And I don’t want to perpetuate and replicate the fear of others. Dealing with that former client’s fear made me take a good hard look at myself.  It made me wonder, if macro-level “Big Fear” can trickle down to the most mundane actions we take and color all that we do, perhaps the antidote is to take those mundane interactions and make them positive. Perhaps that could result in a sort of “bubble up” process, where little fears are eradicated, leading to larger fears being eliminated.

So, being me, I decided to try an experiment this morning. 

When I first moved to the city, I’d go for a jog and say hello to people as I passed. Over time, I stopped doing this because of all the sour-faced thin-lipped non-reactions I’d get from passerby and fellow joggers. I learned that in the city, you don’t say hello. In the city, we act like “the other” doesn’t exist. Because “the other” is scary.

Well, that’s bullshit. So today, I went for a jog. And I said hello and smiled at 5 people. You know what? 2 of them looked at me in a surprised way, smiled back, and said hello. Sure, 3 of them were rude. But that’s OK. Baby steps.

Maybe if we all start to do one or two little things a day that replace fear with love- as corny as that may sound- our love will replicate and spread like a virus too. Maybe John Lennon was right. Maybe love is the answer. Perhaps love is the weapon that can overcome this culture of fear. I’m not advocating that we let other people take advantage of us. I’m only advocating that we don’t let the dark side win by ceding ground to it on a personal level. We can control how we interact with others.

It can’t hurt to try.

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Arthur C. Clarke

Written By: Patrick on March 18th, 2008

He’s gone, but his words live on:

Any sufficiently advanced technology is indistinguishable from magic. 

 arthur-clarke-pic.jpg

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Couch Cases Trailer is Online!

Written By: Patrick on March 15th, 2008

View the Couch Cases trailer.

Couch Cases is a sitcom about a neurotic therapist who can’t follow her own advice.

We produced this project for about 1/1000th the price-per-minute of a network sitcom. We’re very excited about releasing the trailer, since we’d been working on this project for some time now.

Red One Camera- Genius Monkeys is going 4K!

Written By: Patrick on March 15th, 2008

redone_4.jpg

We are happy to announce that Genius Monkeys will soon have Red One #2464, set to be delivered in late May/June. The Red One is an amazing camera, as it shoots 4K. That’s the highest resolution camera you can get, even Star Wars had only 2K resolution. 

What this means for us is, we will be able to offer our clients work that rivals and in many cases surpasses the capabilities of super 35mm film- for about half the cost. Suddenly, the “big look” of high-end television commercials is now available to clients without the deep pockets traditionally needed to afford such a professional look. This camera changes everything.

This is the new camera being used by Peter Jackson, George Lucas, Steven Soderbergh, and many other high-profile cinematographers and directors. (more…)

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SXSW, Billy Bob Thornton, catching up with friends…

Written By: Patrick on March 12th, 2008

Kathi and I just got in from SXSW. It was… I’m not sure what it was, exactly. We met some interesting people, but almost none of them were film people. We loved the locals, we loved the musicians, and we had fun meeting some cool people. They just weren’t filmmakers. Maybe that’s OK. Maybe we fit in with the musicians better, since we’re both musicians too.

Highpoints of SXSW for me:

We got to see Daniel Lanois’ movie (http://www.daniellanois.com/hereiswhatis). I’d been a fan of his work since forever, and when I saw it on the schedule I knew Kathi and I had to go. It was a music documentary, and we both loved it. What’s best- Daniel was there and he was pretty cool in person, too. The film is about creativity, not just musicianship. It’s about being an artist. And it resonated with me.

The shorts program was a lot of fun, too. Sure, there was a bunch of stuff I did not love, but there were some really great films… including one that really touched me. I’ll post the link to that one once I know its title. I know, sad. But it all went by so quickly.

We liked the trailer panel a lot. Part of the reason was we’d just worked together to cut a trailer for our show. But the panelists were good.

Billy Bob Thornton’s panel was really the best part of the festival for us. The cat is cool, and we were both very impressed with his openness regarding politics in the industry. For me, the best moment of the festival was when he was riffing on success. He mentioned a conversation with Billy Wilder, and he said Billy told him, in effect, that the only way to succeed was to be who you really are, not some weird Hollywood-ized version of what you think “they” want you to be. I know it seems obvious, but living here in LA you get exposed to so many people who are full of crap that it’s easy to lose track of what’s important. I like that Billy Bob Thornton made it on his own terms. It gives me hope.

He also mentioned something that went along with the message in the Daniel Lanois film- basically, that an artist is an artist no matter what the medium. As a musician who is also a writer-director, this made me feel good, too. I don’t think we celebrate creativity enough, at least, I think a lot of people I’m around- including myself at times- don’t.

Oh yeah, and Kathi and I shared a plane with Billy Bob on the way back. So, we talked with him a bit. He’s a gracious guy. Of course, he was trapped in an aluminum tube that was going to be 30,000 feet in the air. We almost gave him a card, but instead promised to come see his band the next time they play LA. 

We were also lucky enough to meet up with some old friends who shall remain nameless who I hadn’t seen since my running days. That was awesome.

Finally, Harvey Weinstein bought me a beer. Well, to be fair, he bought about 200 people a beer- the entire theater, actually- through the generosity of director Morgan Spurlock at the screening of his movie Where In The World Is Osama Bin Laden? The projector messed up, because of the storm raging outside the theater. And you know, the movie’s damn good too.

Speaking of weather, I loved an early morning thunderstorm we got to enjoy one day. Funny how a thing like weather can be so awesome, when you don’t get much weather where you live.

Other movies I enjoyed enough to remember after the rush of films we saw: Run, Fatboy, Run! (the director turned out to be pretty cool, too), Secrecy (wow, excellent documentary), and I thought Shuttle was disturbing and good. The movies I didn’t like? Nah. Thing is, except for one huge Hollywood movie that stunk and deserves to be kicked in the nuts, I respected every movie I saw. Some of them needed some work, but anyone who can get a movie together should be respected for that. It’s a huge deal, putting together a movie. Especially when your budget is 1/1000th that of a big Hollywood movie.

And that’s something I’d know quite a lot about, coming off Couch Cases. So, hats off to all the filmmakers and I’m grateful I got to see so many movies I probably wouldn’t ever see, otherwise.   

And now for what I didn’t dig about the festival:

Again, all this is colored by who I happened to bump into at the festival. It’s a HUGE fest, so my sample size isn’t statistically relevant. But it felt to me like a lot of the people there who I happened to meet were a bit pretentious, desperate, and fake.

Here’s what they’d do: they’d walk up (or you’d walk up to them), and you’d smile at them. Then, before smiling back, they’d “badge” you. They’d actually look at your badge and see if you were with Warner’s or Sony or whatever who could help them get their movie made or distributed. If you weren’t (I wasn’t, obviously), they would avert their eyes, not smile back and they’d walk by you as fast as they could.

And that’s bullshit.

I got to see what happened if you did have a badge from a big distributor, too. Those poor people got mobbed. Sometimes it’s better to fly under the radar. And that’s all I have to say about that.

We love Austin, Kathi’s a Texan so it’s coming home for her. And it feels like home to me, too. Yee haw!

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SXSW, Billy Bob Thornton, catching up with friends…

Written By: Patrick on March 12th, 2008

Kathi and I just got in from SXSW. It was… I’m not sure what it was, exactly. We met some interesting people, but almost none of them were film people. We loved the locals, we loved the musicians, and we had fun meeting some cool people. They just weren’t filmmakers. Maybe that’s OK. Maybe we fit in with the musicians better, since we’re both musicians too.


Highpoints of SXSW for me:

We got to see Daniel Lanois’ movie (http://www.daniellanois.com/hereiswhatis). I’d been a fan of his work since forever, and when I saw it on the schedule I knew Kathi and I had to go. It was a music documentary, and we both loved it. What’s best- Daniel was there and he was pretty cool in person, too. The film is about creativity, not just musicianship. It’s about being an artist. And it resonated with me.

The shorts program was a lot of fun, too. Sure, there was a bunch of stuff I did not love, but there were some really great films… including one that really touched me. I’ll post the link to that one once I know its title. I know, sad. But it all went by so quickly.

We liked the trailer panel a lot. Part of the reason was we’d just worked together to cut a trailer for our show. But the panelists were good.

Billy Bob Thornton’s panel was really the best part of the festival for us. The cat is cool, and we were both very impressed with his openness regarding politics in the industry. For me, the best moment of the festival was when he was riffing on success. He mentioned a conversation with Billy Wilder, and he said Billy told him, in effect, that the only way to succeed was to be who you really are, not some weird Hollywood-ized version of what you think “they” want you to be. I know it seems obvious, but living here in LA you get exposed to so many people who are full of crap that it’s easy to lose track of what’s important. I like that Billy Bob Thornton made it on his own terms. It gives me hope.

He also mentioned something that went along with the message in the Daniel Lanois film- basically, that an artist is an artist no matter what the medium. As a musician who is also a writer-director, this made me feel good, too. I don’t think we celebrate creativity enough, at least, I think a lot of people I’m around- including myself at times- don’t.

Oh yeah, and Kathi and I shared a plane with Billy Bob on the way back. So, we talked with him a bit. He’s a gracious guy. Of course, he was trapped in an aluminum tube that was going to be 30,000 feet in the air. We almost gave him a card, but instead promised to come see his band the next time they play LA. 

We were also lucky enough to meet up with some old friends who shall remain nameless who I hadn’t seen since my running days. That was awesome.

Finally, Harvey Weinstein bought me a beer. Well, to be fair, he bought about 200 people a beer- the entire theater, actually- through the generosity of director Morgan Spurlock at the screening of his movie Where In The World Is Osama Bin Laden? The projector messed up, because of the storm raging outside the theater. And you know, the movie’s damn good too.

Speaking of weather, I loved an early morning thunderstorm we got to enjoy one day. Funny how a thing like weather can be so awesome, when you don’t get much weather where you live.

Other movies I enjoyed enough to remember after the rush of films we saw: Run, Fatboy, Run! (the director turned out to be pretty cool, too), Secrecy (wow, excellent documentary), and I thought Shuttle was disturbing and good. The movies I didn’t like? Nah. Thing is, except for one huge Hollywood movie that stunk and deserves to be kicked in the nuts, I respected every movie I saw. Some of them needed some work, but anyone who can get a movie together should be respected for that. It’s a huge deal, putting together a movie. Especially when your budget is 1/1000th that of a big Hollywood movie.

And that’s something I’d know quite a lot about, coming off Couch Cases. So, hats off to all the filmmakers and I’m grateful I got to see so many movies I probably wouldn’t ever see, otherwise.   

And now for what I didn’t dig about the festival:

Again, all this is colored by who I happened to bump into at the festival. It’s a HUGE fest, so my sample size isn’t statistically relevant. But it felt to me like a lot of the people there who I happened to meet were a bit pretentious, desperate, and fake.

Here’s what they’d do: they’d walk up (or you’d walk up to them), and you’d smile at them. Then, before smiling back, they’d “badge” you. They’d actually look at your badge and see if you were with Warner’s or Sony or whatever who could help them get their movie made or distributed. If you weren’t (I wasn’t, obviously), they would avert their eyes, not smile back and they’d walk by you as fast as they could.

And that’s bullshit.

I got to see what happened if you did have a badge from a big distributor, too. Those poor people got mobbed. Sometimes it’s better to fly under the radar. And that’s all I have to say about that.

We love Austin, Kathi’s a Texan so it’s coming home for her. And it feels like home to me, too. Yee haw!

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