Here’s a bunch of raw frame grabs from the camera. Again, these are all straight off the camera and we’ll do a lot of post processing before we get to the final edits. But from a DP’s perspective, I’m pretty happy with the images this little system is making. It’s not like 35mm. It’s much more like super16, on a good day I think.
More importantly, from a director’s standpoint I’m really VERY happy with the performances too.
Tech is, again: HVX200 with Brevis 35mm adapter, lenses by Nikon and Zeiss. And one cheapie lens. Which shall go un-named.
[album = 2]
